A new representation is created by understanding the diversity of images by simultaneously presenting diverse images in different mediums in the installation composition. These images in my various periods do not directly represent nature, but the source of all images is nature. Horizontal refers to a flat or level surface. Using abstract imagery as well as iconic imagery, Prakriti is an embodiment of the hybridity of the main form. On the other hand, the surface perceptual contrast of moving or moving motion visuals with still images. Virtually presenting our current urban mobility, posters alongside digital moving banners or artist's colorful canvases alongside images of brutal ruthlessness constantly confront us with familiar truths and unfamiliar uncertainties in a horizontal arrangement.
Not just different forms or color lines. Images are created by the reflection of light, taking advantage of the temporary nature of electricity to apply image vibration saturation to a new level. At the same time, the spread of parallel layouts through image projection or image manipulation is mainly confined to different types of surfaces or ranges. These representations evoke a kind of alienation through the use of a variety of unity and symmetry in the arrangement of the composition, combining the tangible and the abstract, which displaces our existence. Indeed, time and space constantly construct the self. Here, the unrecognizable arrangement merges with the dimension of reality, creating a different experience of the perception of a relative time. By accepting the limitations of the plain surface, this installation attempts to add new dimensions to the spot.
